Payday Loans
payday loans

Get Free ACN Daily Headlines


Search Auction Central News

Bookmark and Share

Author's hometown excited, perplexed by 'Mockingbird' sequel

PDF Print E-mail
Written by JAY REEVES, Associated Press   
Thursday, 05 February 2015 10:18
President George W. Bush awards the Presidential Medal of Freedom to author Harper Lee during a ceremony Nov. 5, 2007, in the East Room. White House photo by Eric Draper, courtesy of Wikimedia Commons. MONROEVILLE, Ala. (AP) – In the small Alabama town author Harper Lee made famous with To Kill a Mockingbird, the Southern classic novel can be seen and felt everywhere.

Signs in Monroeville are decorated with mockingbirds. The old courthouse, a model for the movie version of the book, is now a museum that sells souvenirs including coffee cups, aprons and Christmas ornaments. A statue in the town square and a mural decorating the side of a building depict characters who inhabited a fictional version of the town Lee called “Maycomb, Alabama.”

So when it was announced Tuesday that Lee had written a second novel to be released this summer, Monroeville residents and visitors alike were pleased and excited – but they were also perplexed.

The first book centered on small-town attorney Atticus Finch, his children Scout and Jem, and racial injustice in the Jim Crow South. The new book, Go Set a Watchman, is described as a sequel that Lee actually wrote in the 1950s before To Kill a Mockingbird.

“I was really surprised,” said Jillian Schultz, 28, who owns a business in the town square. “You know there's a lot of controversy about whether Harper Lee actually wrote the (first) book. There's been so many years in between, and you have to wonder, ‘How did somebody forget about a book?’”

Located halfway between Montgomery and Mobile, Monroeville calls itself the “Literary Capital of Alabama,” a designation bestowed by the state Legislature in the late 1990s. Besides Lee, the city was home to novelist Truman Capote and Pulitzer Prize-winning editorialist Cynthia Tucker.

For years, the town of 6,300 was known as the home of a huge Vanity Fair mill and outlet, but the factory shut down nearly 20 years ago. That left Monroeville with “Mockingbird” and its literary heritage to attract visitors off the nearest highway, Interstate 65, about 25 miles away.

The nonprofit Monroe County Heritage Museum opens the old courthouse to visitors and features a display about Lee's life in her own words. Fans can sit in the courtroom balcony depicted in the Academy Award-winning screen version of the book.

Area residents put on a play based on the book each spring, holding the first act of sold-out performances on the courthouse lawn, then taking patrons inside for the climactic courtroom scenes. While visitors are few in shops right now, they'll return once winter is over.

“It will be busy again during the play,” Schultz said.

Visitors likely won't see the 88-year-old Lee, who lived in New York for years but now resides in an assisted living center not far from where she grew up. A longtime friend said she is deaf, blind and in poor health, spending much of her time in a wheelchair. She was last seen publicly in November at the funeral of her older sister, Alice Lee, who long represented the author and was known for being protective of her.

Harper publisher Jonathan Burnham acknowledged Tuesday that the publisher has had no direct conversations about the new book with Harper Lee, but communicated through her Monroeville attorney, Tonja Carter, and literary agent Andrew Nurnburg.

The publisher says Carter came upon the manuscript at a “secure location where it had been affixed to an original typescript of To Kill a Mockingbird.”

Burnham said during a telephone interview that he had known both Carter and Nurnburg for years and was “completely confident” Lee was fully involved in the decision to release the book.

“We've had a great deal of communication with Andrew and Tonja,” said Burnham, adding that Nurnburg had met with her recently and found her “feisty and in very fine spirits.”

Some “Mockingbird” fans encountered in Monroeville on Tuesday said they are excited by the news of a new book.

“I bet it's going to be great. The first one was,” said Judy Turberville, of nearby Frisco City. Turberville said she can't wait to read Go Set a Watchman, which publisher Harper said will be released July 14.

Ginger Brookover, who lives in West Virginia, is among the tourists who have been lured to Monroeville by “Mockingbird.” In the middle of her second trip to town when the publisher announced Lee's new novel, Brookover got goose bumps.

“I'm just absolutely shaking,” she said.

Worldwide sales of To Kill A Mockingbird have topped 40 million copies since its release in July 1960. Although occasionally banned over the years because of its language and racial themes, To Kill a Mockingbird has become a standard for reading clubs and middle and high schools.

Copyright 2015 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-02-04-15 1456GMT

President George W. Bush awards the Presidential Medal of Freedom to author Harper Lee during a ceremony Nov. 5, 2007, in the East Room. White House photo by Eric Draper, courtesy of Wikimedia Commons.
Last Updated on Thursday, 05 February 2015 10:33

Colonial Williamsburg quilt catalog sheds light on textile history

PDF Print E-mail
Wednesday, 03 December 2014 14:15
A fortunate child once slept under the bright flowers and birds on this colorful crib quilt by an Indiana maker. In the new Williamsburg catalog, the Tulip Cross pattern work is WILLIAMSBURG, Va. – Perfectly timed for holiday giving, the Colonial Williamsburg Foundation has published Four Centuries of Quilts, a new catalog of their comprehensive collection of quilted bedcoverings. Textiles have unique conservation issues that limit their display time on gallery walls, so collectors will be delighted to see many of the treasures within Williamsburg’s storage vaults for the first time. Quilts illustrated begin with Indian, English and Continental examples from the 17th and 18th centuries and encompass the more familiar American formal and folk designs from the 19th and 20th century.

Accompanying the publication, a new exhibition – “A Celebration of American Quilts” – will be on view at the DeWitt Wallace Decorative Arts Museum through June 30, 2016. Curators have chosen 12 superb quilts from the permanent collection, drawing examples from across the country – Virginia to Hawaii, New Hampshire to Alabama. Quilts have a utilitarian function, but their decoration became an important outlet for the creativity of the women who designed and stitched them.

Quilts have a strong appeal to collectors because they offer a style for every taste and pocketbook. There are six-figure masterpieces at auction, which will be displayed on a wall as fine art, and colorful quilts sold for a few hundred dollars that can be put right in the master bedroom. Collections often begin with a family quilt in a simple star or wedding ring pattern that spurs the owner to seek out complementary examples. Interested buyers may specialize in quilts from a particular period, region of manufacture, pattern group, or even color scheme. A simple search for “quilts” will bring up examples for sale and recently sold for further study, an excellent way to become acquainted with current prices for antique textiles.

The Williamsburg catalog and exhibition represent years of research on the part of Linda Baumgarten, curator of Textiles and Costumes, and Kimberly Smith Ivey, curator of Textiles and Historic Interiors. In a conversation with Auction Central News, Baumgarten said, “Kim and I have worked together for many years, and we realized early on that we had such important quilts that they needed their own publication. So we worked toward that goal, and then our very generous donors, Mary and Clinton Gilliland through the Turner-Gilliland Family Fund of the Silicon Valley Community Foundation, made it possible.”

She continued, “The goal of the book was to introduce people to the breadth of the Williamsburg collection, hence the title Four Centuries of Quilts. We do have an amazing collection that people aren’t familiar with, and we grouped them by how we think people will be able to best grasp the different concepts. For example, putting the red and white ones together because turkey red – the colorfast red dye – was such an integral part of that fashion for red and white. And we grouped the early quilts from India together to show how they influenced a lot of quilts that came after.”

The curators’ goal was simple: “Readers will see the variety that quilts can have – the incredible variety of techniques and quilting and piecing styles. Part of the Colonial Williamsburg mission is to teach people, and a book like this will teach readers about the past and the women who made these quilts. We’re not necessarily collecting the best of the best – we’re collecting quilts with interesting stories and histories which also happen to be pretty wonderful objects.”

Even at around 350 pages, a single volume cannot chronicle all quilts in this significant collection, but the authors have selected outstanding examples to illustrate various categories. The book’s design and layout – done in house by Shanin Glenn – is visually stimulating and extraordinarily readable. Each chapter offers surprises: a reader who thinks they know everything about Baltimore Album quilts or Amish designs will find never-before-seen examples and new information. Most important are the opening chapters on the formative influences in American quilting, such as the intricate stitching patterns on Indian textiles, the all-white bedcoverings made in France, or the European use of calico fabric. One revelation is a section on the distinctive patterns found in Hawaiian and Polynesian quilts, which includes a vintage photo of two master needleworkers at work in Honolulu. Documentation and dating of the quilts is discussed throughout, and a chapter titled “Meet the Makers” puts faces and biographies with individual creations.

Baumgarten explained how difficult it was to choose 12 quilts for exhibition from the broader collection: “The exhibit is in the American Folk Art Gallery, so we chose first American, then folk art quilts, and then a range of dates and types. There’s a show quilt made with fans and embroidery, a Virginia 1840s example, an African-American quilt from Alabama made by Susana Allen Hunter, a New Hampshire wholecloth wool example, an Amish quilt in a fans design, and an album type with family signatures.”

What kind of quilts appeal most to the curator? “My favorite quilt is usually one I’m working on at the time. Right now, I’m working on Amish quilts and the stitching designs in the Amish quilts. I’m looking through examples to try to trace how often they repeated those same feather quilting designs. That’s new research that I’m just starting, but I’m also keenly interested in the printed quilts because we’re getting ready to put up an exhibit in two years of printed textiles from our collection which will include a few quilts. In fact, one of those beautiful palampores we show in the book will be included in that exhibition.”

The holiday season is a wonderful time to see Colonial Williamsburg decked out for Yuletide festivities. “A World Made Small,” another exhibition focusing on antique miniatures and dollhouses, opens Dec. 5.

For information and events schedules, visit Four Centuries of Quilts ($75) can be ordered by calling 757- 220-7693 or go to and click on Bookstore, where you will also find the 2015 Williamsburg American Quilt Calendar ($18).


A fortunate child once slept under the bright flowers and birds on this colorful crib quilt by an Indiana maker. In the new Williamsburg catalog, the Tulip Cross pattern work is Baltimore Album quilts present the most complex overall designs found on 19th century quilted bedcoverings. A gift of collectors Foster and Muriel McCarl to the Williamburg museums, this circa 1850 example features 16 distinct block patterns including well-known local monuments and the U.S. Capitol in Washington. Image courtesy Colonial Williamsburg Signed by the maker in Bloomfield, Iowa, and dated 1898, this pieced and embroidered cotton quilt commemorating the Spanish-American War is decorated with flags of many nations. The historic textile sold for $9,400 at Cowan’s Auctions in Cincinnati four years ago. Image courtesy Cowan’s Auctions Inc. Collectors often pay a premium for quilts with regional roots. This bold Princess Feather appliqué from Eastern Tennessee brought $1,180 last summer at a Case Auction in Knoxville, Tenn. Image courtesy Case Antiques This vivid silk crazy quilt, circa 1880, is decorated with radiating fans embroidered with flowers. Once in the well-known Margaret Cavigga Collection, the textile achieved a hammer price of $1,600 at Clars Auction Gallery in early 2013. Image courtesy Clars Auction Gallery In 2012, the Neal Auction Company in New Orleans sold this stitched and appliqued quilt made in 1955 by legendary Louisiana folk artist Clementine Hunter (1886-1988) for $10,158. In addition to vignettes of daily life, the panels depict the main house and outbuildings of Melrose Plantation. Image courtesy Neal Auction Co. ‘Four Centuries of Quilts,’ the new catalog of the Colonial Williamsburg collection, devotes a separate chapter to the Mariner’s Compass design, particularly popular from 1825 to 1875.  This neatly pieced example with sixteen panels was made mid-century in New York City by Mary Wright Williams, an immigrant from Ireland. Image courtesy Colonial Williamsburg Dating to the late 19th century, crazy quilts get their name from the irregular fabric sections carefully jigsawed into an overall design. This wool and cotton quilt made in Maine around 1890 is embellished with fancy stitched motifs ranging from farm animals to the Statue of Liberty. Image courtesy Colonial Williamsburg
Last Updated on Wednesday, 03 December 2014 16:50

Hockney biographer publishes illuminating second volume

PDF Print E-mail
Written by ANN LEVIN, Associated Press   
Wednesday, 12 November 2014 11:04
'David Hockney: The Biography, 1975-2012' by Christopher Simon Sykes. Image courtesy of  Nan A. Talese/Doubleday NEW YORK (AP) – David Hockney: The Biography, 1975-2012 (Nan A. Talese/Doubleday), by Christopher Simon Sykes

More than halfway through the second volume of his vivid, intimate biography of British artist David Hockney, Christopher Simon Sykes describes the moment in the 1980s when Hockney discovers the creative possibilities of the photocopy machine.

A natural talent who drew from the moment he could pick up a pencil, Hockney falls deeply in love with the density of copier inks – “the most beautiful black I had ever seen on paper,” he says. “It seemed to have no reflection whatsoever, giving it a richness and mystery almost like a void.”

Sykes, who wrote the book with Hockney's cooperation, picks up the story of this astonishing artist in 1975, when the working-class boy from the north of England has already won widespread acclaim for his paintings depicting the bright light, azure skies and swimming pools of his adopted city of Los Angeles.

Even greater success lay ahead, including a major retrospective at the Los Angeles County Museum of Art in 1988 and a blockbuster show in 2012 at the Royal Academy in London of landscapes he made after moving back to Yorkshire in his late ’60s.

Chapter by chapter, the book unfolds as a series of love affairs, in which the workaholic artist falls madly in love with a new art-making medium – fax machines, Polaroids and iPads, to name a few – puzzles over its problems and potential, masters it and moves on. Always, he returns to painting and drawing.

“If everybody is asleep,” Henry Geldzahler, a former Metropolitan Museum curator, observed, “he draws them sleeping, and if he's alone he draws his luggage lying on the floor. He'll work until he drops.”

Given his prodigious talent, it's instructive to see his reaction to the work of other greats such as Picasso and Vermeer: like that of an awe-struck schoolboy. A Monet exhibition in Chicago “made me look everywhere intensely,” he says. “That little shadow on Michigan Avenue, the light hitting the leaf. I thought: ‘My God, now I've seen that. He's made me see it.’”

Sykes has an engaging style and an enviable ability to write clearly about art – including Hockney's struggle to capture what he once called “our own bodily presence in the world.” But he ought to have given the manuscript another look – to eliminate cliches, repetitive language and the trivial details that bog down otherwise illuminating diary passages he uses to tell the story of this remarkable man.

Copyright 2014 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-11-10-14 1520GMT

'David Hockney: The Biography, 1975-2012' by Christopher Simon Sykes. Image courtesy of  Nan A. Talese/Doubleday
Last Updated on Thursday, 13 November 2014 12:00

Book explores New York state's pivotal role in Civil War

PDF Print E-mail
Written by Associated Press   
Wednesday, 29 October 2014 09:39
 'An Irrepressible Conflict: The Empire State in the Civil War' published by SUNY Press. Image courtesy of SUNY Press.

ALBANY, N.Y. (AP) – A new Civil War book based on a popular exhibit at the New York State Museum is due out this December.

The book published by SUNY Press is a companion to the exhibit, “An Irrepressible Conflict: The Empire State in the Civil War.”

The yearlong exhibit opened at the downtown Albany museum in September 2012, telling the story of how New York state provided the most men, money and supplies for the Union war effort. It also highlighted the personal stories of some of the nearly 450,000 New Yorkers who fought for the North.

The exhibit received the Award of Merit from the American Association of State and Local History.

The book was written by three top officials at the museum: chief curator Robert Weible, senior historian Jennifer Lemak and associate exhibition planner Aaron Nobel.

For additional information about the book log on to .

Copyright 2014 Associated Press. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

AP-WF-10-28-14 0703GMT

 'An Irrepressible Conflict: The Empire State in the Civil War' published by SUNY Press. Image courtesy of SUNY Press.
Last Updated on Wednesday, 29 October 2014 09:56

Kovels release 47th edition of antiques price guide

PDF Print E-mail
Written by Publisher PR   
Tuesday, 23 September 2014 12:58
‘Kovels’ Antiques & Collectibles Price Guide 2015,’ Terry Kovel and Kim Kovel, 
Sept. 16, 2014, $27.95, paperback, 652 pages, 2,500 color photographs, ISBN: 978-1-57912-977-4

BEACHWOOD, Ohio – Antiques collectors have turned to the Kovel family for their peerless annual guide since the first edition appeared in 1968. In the past four decades, Americans have become much savvier and collecting has become much more popular. What has remained the same is the anticipation each year around the publication of the new Kovels’ Antiques & Collectibles Price Guide 2015 by Terry Kovel and Kim Kovel.

The 47th edition of the book includes advice for readers on trends and pricing patterns. The Kovels have added a valuable new section: “Price it Right: How to Set Prices to Sell Your Things,” in which they provide appraisers contact information, explain how to research prices before putting an item on the market, and provide detailed recommendations on navigating the process, including what to keep, when to enlist an expert and what impacts an item’s resale value.

Kovels is the most complete guide on the market, with more than 35,000 new price listings from the past year in over 700 categories and 2,500 new, full-color photographs. The book provides the latest antiques prices – not estimates. With a nationally syndicated newspaper column, newsletter and popular website, they are without a doubt America’s leading popular authorities on collectibles and antiques.

The guide enables any reader to easily find out what their item is and what it’s worth. The book features items sought by collectors from across the spectrum, rather than only the high-priced items found in most guides. The user-friendly book includes an index and cross-references for everything from art pottery, Depression glass and jewelry to furniture, coin-operated machines and sports memorabilia, along with up-to-date information about each category, logos, marks and dates. Also featured are hundreds of expert tips, comments on trends and pricing patterns, and the year’s record prices. All this enables collectors to buy, sell and collect with confidence.

A peek at some of this past year’s fascinating listings:

  • Highest price in the book: $875,000 for a carved figure of Santa Claus made by Samuel A. Robb of New York in 1923.
  • Lowest price in the book: $2 for a celluloid button with a rhinestone canter made for a dress.
  • Largest item in the book: a wooden and marble back bar with four columns, mirrors, and 
cast-iron trim, 150 by 117 inches ($18,000).
  • Smallest item in the book: a micromosaic glass button picturing a building, 3/8 inch ($14).
  • A French Provincial dog’s bed with canopy and curved rails made around 1800, 29 by 24 inches ($1,722).

About the Authors: Terry Kovel is a lifelong collector. She has written more than 100 books on antiques and collectibles and writes a nationally syndicated newspaper column, a subscriber newsletter and an e-newsletter. She lives in Ohio. Kim Kovel, daughter of Terry and Ralph Kovel, grew up in a house filled with antiques and traveled regularly to antique shows and flea markets all over the country. Kim lives in Florida.

‘Kovels’ Antiques & Collectibles Price Guide 2015,’ Terry Kovel and Kim Kovel, 
Sept. 16, 2014, $27.95, paperback, 652 pages, 2,500 color photographs, ISBN: 978-1-57912-977-4
Last Updated on Tuesday, 23 September 2014 13:11
<< Start < Prev 1 2 3 4 5 6 7 8 9 10 Next > End >>

Page 1 of 14

Banner Banner